Len Brown
Creative Director / VP, Topps
Working on: Topps Comics launch; Jurassic Park trading cards
Gary Gerani
West Coast Editor, Cards & Comics, Topps
Working on: Topps Comics launch; *Bram Stoker's Dracula* cards
A wide-ranging conversation at the 1992 San Diego Comic Convention tracing Topps' history from its postwar bubble-gum origins through landmark trading card sets (Mars Attacks, Beatles, Star Wars, Batman TV series). Both men describe the evolution of the non-sports card market and their excitement about Topps' new comics division, which will pair every comic with exclusive trading cards, starting with the Dracula movie adaptation and followed by Jurassic Park.
Jim Salicrup
Editor-in-Chief, Topps Comics
Working on: *Bram Stoker's Dracula* #1–4; *Jurassic Park* comic
Salicrup discusses his departure from Marvel after 20 years to become Editor-in-Chief of the newly formed Topps Comics, explaining how Len Brown recruited him and why Topps' stability made the move attractive. He details the strategy behind the prestige-format Dracula adaptation (pencilled by Mike Mignola, scripted by Roy Thomas), the upcoming Jurassic Park comic, and his philosophy that well-promoted quality comics across all genres can succeed.
David Mazzucchelli
Artist / Self-Publisher, Freelance
Working on: *Rubber Blanket* (self-published anthology) (Part 1 of 2)
Part one of a two-part interview in which Mazzucchelli explains why he stepped away from superhero comics after Batman: Year One and Daredevil, citing burnout and growing doubts about the superhero genre's artistic validity. He reflects on his collaborative working relationship with Frank Miller, his artistic influences (Gene Colan, Kirby, Roy Crane), a nine-month stay in Italy that shaped his graphic sensibility, and his decision to self-publish the anthology series Rubber Blanket.
Mike Friedrich
Agent / Marketing Consultant, Star*Reach Productions
Working on: Representing 50+ comics creators (Part 1 of 3)
Sharon Cho
Agent, Star*Reach Productions
Working on: Expanding Star*Reach client roster
Part one of a three-part interview with the principals of Star*Reach Productions, the comics industry's only dedicated talent agency. Friedrich traces the agency's founding in 1982, its growth to over 50 clients (including P. Craig Russell, Paul Chadwick, Roy Thomas, Steve Englehart, and Mark Wheatley), and its philosophy of building cooperative creator–publisher relationships rather than adversarial ones.
Kraft reflects on the creative process of writing comics, describing the familiar cycle from blank-page perplexity to a flood of ideas, and noting that his old plot files for The Defenders and Man-Wolf still generate story concepts.
A detailed rebuttal to a letter in CI #113 that had misrepresented Mallonee's earlier interview; Mallonee argues that retailer bias toward Marvel/DC titles actively prevents independent comics like Flare from reaching their demonstrated audience, and provides sales data.