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Truman describes how a chance meeting at a Chicago convention led to his joining First Comics on GrimJack rather than pursuing magazine illustration, and explains his preference for the book's darker, detective-noir aesthetic over superhero comics. He discusses the approximately 50/50 collaborative creative relationship he has with Ostrander, the careful thought that went into a controversial vampire-disposal scene in Starslayer #14, and his concerns about a potential comics ratings system and Marvel's market-glutting tactics threatening creators' rights and the independent sector.

A group interview with the full creative team of Elite Comics, a Texas-based independent publisher, conducted at the 1986 Dallas Fantasy Fair. Knappe and Floyd describe their grassroots origin — two non-industry men who convinced a bank to fund a comic company — and recount technical disasters including a printer who couldn't produce the color blue for their first four issues. R.A. Jones explains his two-phase plan: short-term fixes (redesigned logos, covers by Paul Gulacy and Timothy Truman) followed by deeper story improvements. Individual creators discuss Seadragon, The Twilight Avenger, Epsilon Wave, and Nightwolf.

Dixon discusses his prolific writing career across Eclipse, Marvel, and First Comics, with particular focus on reviving Airboy alongside Timothy Truman and building it into Eclipse's flagship title. He talks about the creation of Evangeline, writing Savage Sword of Conan, and his production company 4Winds, which packages projects primarily for Eclipse. He also addresses controversy over a Reagan poster appearing in an Airboy story as commentary on U.S.-backed dictatorships, and previews upcoming projects including a Skywolf mini-series, a Valkyrie mini-series, and the Airboy graphic novel.