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Norwood recounts his roots in 1960s MIT science-fiction fandom, his early days as a comics letter hack writing to Julie Schwartz, and his evolution into publisher of Manuscript Press (producers of the deluxe Prince Valiant reprint series) and editor of Comics Revue. He discusses the independent comics market, the challenge of getting adults to read comics, and his concerns about growing illiteracy and the over-emphasis on speculative collecting in comics fandom.