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Zimelman explains his airbrush technique — gesso, frisket masking, and acrylic paint — and traces his career from T-shirt design in Florida to airbrushing the original Punisher Limited Series covers and posters. He discusses his work on the graphic novel's flashback sequences, his preference for painting over others' pencils (especially Zeck's), and his views on comics coding and censorship, arguing strongly against any form of content restriction.