Search Results

Moebius discusses his newly signed contract with Marvel for six graphic album reprints of his French work, noting that his company Starwatcher Graphics retains full quality-approval rights — an unprecedented deal in American comics. He speaks at length about his philosophy of balancing commercial and artistic life, his spiritual evolution away from violence and toward beauty in his work, and his disciplined daily routines including raw-food diet, t'ai chi, swimming, and martial arts. He also describes his ambitions to explore new media such as oil painting, airbrush, and sculpture, and his work on the animated film Internal Transfer.

Moebius describes the Silver Surfer project as one of the most difficult of his career, saying he was in a state of "total panic" for months about inheriting an established character's look. He explains that the result is intentionally "mid-Atlantic," neither fully European nor American, and praises Stan Lee's script as poetic, philosophical, and "sad and dark," closer to Dark Knight than to typical superhero fare. On the Kirby/Marvel ownership dispute, he offers a controversial view that Kirby was responsible for his own situation by choosing to work within a system he understood, arguing that pitying him robs him of agency.

Giraud discusses the upcoming Marvel reprint of Lt. Blueberry under the "Moebius" name and the irony of publishing his western work under his SF pseudonym. He reflects on his training under Belgian artist Jije, the appeal of the American West to European artists, his dual creative identities as "Gir" (western realism) and "Moebius" (SF fantasy), and the technical challenges of switching between the two styles. He lists Peckinpah, Monte Hellman, and Sergio Leone as key visual influences on Blueberry.