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The managing director of Fleetway Editions — who came from Harlequin romance novels with no prior comics background — discusses the ongoing success and colorization of 2000 AD (selling 100,000 copies weekly), Fleetway's century-long publishing tradition, investment in creator royalties, and plans for Judge Dredd's expansion into North America ahead of the Sylvester Stallone film. He also addresses the British market's resistance to superheroes and the influence of Scottish comics talent on American comics.