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Duffy recounts her career at Marvel from proofreader in 1977 through assistant editor to her current dual role as writer of Star Wars and managing editor of Epic Illustrated, discussing the skepticism she faced from senior writers when she began writing. She talks at length about her passion for Japanese comics and animation — which began with Astro Boy and Eighth Man as a child — and how it has influenced her visual storytelling instincts. She discusses the creative latitude Lucasfilm gives her on Star Wars, noting that recent restrictions on what she can do with established characters signal major developments planned for the next film, and explains how she populates the Star Wars universe with her own alien races and new characters.

Cockrum discusses his current workload at both Marvel and Deluxe Comics, including the four-issue Nightcrawler mini-series he is writing, pencilling, and inking himself (with his wife Paty coloring), a swashbuckling dimensional adventure that grew from a prior story he did with Jo Duffy. He explains how The Futurians graphic novel moved from Marvel to Deluxe Comics after David Singer made a substantially better offer that Marvel chose not to match, and describes plans for a Futurians ongoing series at Deluxe dealing with the aftermath of meteors devastating major cities. Cockrum also talks about his longtime love of the original T.H.U.N.D.E.R. Agents — he owns a complete set of the Tower books — and his suggestions to Singer on story directions, including using Lightning's suit as a plot element around the immortal android No-Man.

Reader letters discuss prior issues featuring Jo Duffy and Peter Gillis; one letter praises the magazine's coverage of writers and advocates for comics as no more objectionable than soap operas or greeting cards.