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Moench discusses his new Eclipse time-travel series Aztec Ace at length, explaining how the concept grew from an earlier, funkier "Captain Wow" idea into a multi-genre epic spanning all of history, with a hero named Caza operating from Tenochtitlan in 1518. He describes the strip's layered structure — synchronicity, the Illuminati-inspired villains called the Ebonati, regular companions Bridget Kronopoulous and the disembodied Head of Sigmund Freud — and his enthusiasm for collaborating with editor Cat Yronwode and young artists Mike Hernandez and Dan Day. He frames the book as his personal championship run, declaring himself "Moses" Moench leading readers to the Promised Land. Note: Part I only; Moench reconstructed the interview from garbled tapes, and Part II (covering Six from Sirius, DC work, and the Red Sonja screenplay) is promised for the next issue.

In Part Two of his interview (continued from #10), Moench covers the full arc of his career since leaving Marvel in late 1982: his unexpected detour into Hollywood writing screenplays for Ralph Bakshi's Red Sonja film (produced by Dino De Laurentiis), brokered by Jim Steranko, which he found exhilarating but surreal and ultimately unproductive. He discusses SIX FROM SIRIUS, his 120-page science-fiction limited series with Paul Gulacy for Epic, born from a years-long passion project with no deadlines. On his DC work, he talks candidly about the complications of introducing Jason Todd as the new Robin, his ongoing Batman and Detective Comics run, and his upcoming assignment on Omega Men — diplomatically avoiding direct criticism of predecessor Roger Slifer while noting his intent to make the characters more sympathetic and optimistic. He closes with pointed opinions on the comics press's tendency toward extreme lionization and sudden dismissal, citing Frank Miller and Don McGregor as victims of this cycle, and dismissing the lavish praise for Love and Rockets as publisher-driven hype.

Ramos talks about being tapped by editor Jim Salicrup to pencil Marvel's new Toxic Avenger series, his enthusiasm for the character's outrageous gore and black humor, and his working relationship with writer Doug Moench. He describes the challenge of finding the right exaggerated visual style for the book and mentions prior work on What If? X-Men, Conan, and Valiant titles.

Hannigan discusses Skull & Bones, his self-written and -drawn DC prestige limited series set in the Soviet Union, which follows an Afghanistan veteran who targets the Kremlin. He reflects on collector-driven market distortions, the superiority of writer-artists, and the bleak future of comics if Virtual Reality takes hold, while noting tentative plans to pencil a Catwoman ongoing with Doug Moench.