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The award-winning Canadian art director and record-jacket designer (credits include Billy Joel, Elvis Costello, Willie Nelson, Cheap Trick, Loverboy) recounts his path from fine arts through commercial design and founding Modern Imageworks. He tells the full origin story of Mister X — developed privately for over a year, visualized first with Paul Rivoche, then handed to the Hernandez Brothers, and now scripted by Motter himself with art by the mysterious "Seth" — and discusses the surrealist noir concept of Somnamopolis and two film-option offers already turned down in search of a visually committed director.

The two creators describe their September visit to the Pinewood Studios Batman set during the UK Comic Art Convention, offering vivid impressions of the Gotham City exteriors, the Batmobiles, and the production design's retro-Art Deco aesthetic. They express cautious optimism about the film's quality while noting the one universal uncertainty: Michael Keaton as Batman.

Motter and Askwith discuss how DC's authorized four-issue Prisoner comic sequel came together, tracing the project from a chance lunch meeting between Motter and DC art director Richard Bruning through the creative and legal challenges of licensing the likenesses of Patrick McGoohan and Leo McKern. They explore their collaborative writing method, the deliberate decision to leave the series' core mysteries unanswered, and their conscious use of visual and verbal echoes from the TV show. The interview also covers Motter's upcoming design work for Piranha Press and Askwith's plans for a realistic spy series with artist Rick Taylor.

Marks, the 24-year-old Toronto publisher of Vortex Comics, recounts his entrepreneurial path from a profitable paper route to running a comics fanzine, working at the Silver Snail shop, and distributing comics, before launching Vortex. He gives a candid account of the troubled production of Mister X — the creative conflict between Dean Motter and original artist Paul Rivoche, the Hernandez Brothers taking over and later departing — and previews the new Mister X team (artist Seth, inker Bill Diamond). He also discusses Stig's Inferno, Those Annoying Post Brothers, Kelvin Mace, and the appointment of former Heavy Metal editor Lou Stathis to revamp the Vortex anthology.