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A veteran Marvel artist and editor who trained initially as a theater director (BFA and MA from University of Nebraska), Hall explains how he perpetually alternates between comics projects and stage work, having directed roughly 60–65 plays while also drawing WEST COAST AVENGERS, SQUADRON SUPREME, and now PSI FORCE. He co-authored and co-produced the long-running off-Broadway play THE PASSION OF DRACULA and has since written a FRANKENSTEIN adaptation performed in sign language by a theater for the deaf in Cleveland. Hall reflects on the evolution of Marvel's artistic culture, crediting Jim Shooter's improved page rates with enabling slower but more talented artists to sustain careers.

Marvel's colorist discusses his path into the field through George Roussos's coloring department, his love of the job despite time pressures, and his advocacy for greater use of zip-a-tone overlays to add texture and depth beyond standard color-on-black-and-white art. Gives a colorful behind-the-scenes account of the Spider-Woman #50 photo cover shoot, where the Marvel Bullpen — Mark Gruenwald, Mike Carlin, Ann Nocenti, and others — dressed in costume and posed on a fire escape in January, with Bob Camp nearly falling off. Explains the practical challenges of coloring characters like the Hulk against green foliage and names Doctor Strange as his favorite assignment for its opportunities to create weird lighting effects.

Two separate interviews are presented together: the first, conducted by Brian Talley, covers Romita Jr.'s career from breaking in via Iron Man (with Dave Michelinie and Bob Layton) through his long run on Amazing Spider-Man, exploring his father's influence (John Romita Sr. discouraged him from comics), his views on social commentary and violence in comics, and his feelings about ego and self-imposed pressure. The second, a shorter piece by Steve Saffel who caught him dropping off art at the Marvel Bullpen, focuses on his new role as X-Men penciller — he discusses the challenge of following Byrne, Cockrum, and Paul Smith on what he calls a "suicide book," his working relationship with Chris Claremont, his affinity for the diverse cast, and his careful research for location-specific issues.

Hollywood veterans Bill Mumy (Lost in Space child star and musician) and Miguel Ferrer (actor and drummer) discuss their lifelong passion for comics and their six-issue limited series Comet Man for Marvel, a psychological science-fiction family drama with guest appearances by the Fantastic Four and the Hulk. They recount how Jim Shooter approached them at San Diego after learning they had written a Twilight Zone script, and how Marvel's mini-series freeze and the Challenger disaster delayed the book from March to October. The interview also covers a historic dinner party at Mumy's home bringing together Jack Kirby, Jerry Siegel, and Bob Kane for the first time in over thirty years, alongside Mark Hamill and the Ferrers.

A photo feature and short narrative account of a dinner party at Bill and Eileen Mumy's home at which Jack Kirby, Jerry Siegel, and Bob Kane gathered together for the first time in more than thirty years, alongside Mark Hamill and others; includes anecdotes about Lois Lane being modeled on Joanne Siegel and Roz Kirby inking early Challengers of the Unknown pages.