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Part two of a conversation with KATY KEENE creator Bill Woggon and his collaborator/illustrator Barb Rausch, covering the Katy Keene revival at Archie Comics, the creation of their independently owned character VICKI VALENTINE (debuted in NEIL THE HORSE #11 and now published by Renegade Press), and their creative process. Woggon writes the stories and Rausch handles art, with planned story arcs involving world travel and celebrity cameos. Rausch separately discusses her storyboard work on the JEM animated series at Marvel Productions.

Part one of a two-part interview; Woggon recounts his career from ghosting the Chief Wahoo strip with his brother Elmer to creating Katy Keene for Archie Comics in 1945, which at peak circulation approached one million copies and generated bags of fan mail from readers submitting fashion designs. He discusses how Katy Keene inspired a generation of professional fashion designers — including Antonio Lopez, Betsey Johnson, and Willie Smith — and how the strip was cancelled in the 1960s as TV eroded readership, after which he retired from Archie. Rausch, one of Woggon's most successful "graduates," describes her own journey from teenage Katy Keene fan to professional artist and co-creator of the current comic Vicki Valentine.

Norman discusses his career as an animator and comic-strip artist at Walt Disney Studios, where he has been producing Donald Duck and Goofy gags and comic stories primarily for the overseas market since late 1983, with Gladstone Comics set to reprint that material in the U.S. He traces his credits through Disney features from Sleeping Beauty to The Jungle Book, his stints at Hanna-Barbera on shows including Godzilla, The Flintstones revival, and The Smurfs, and his early start as Bill Woggon's assistant on Katy Keene. He notes that Europe takes comics far more seriously as an art form than the American market currently does.