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Part two of a conversation with KATY KEENE creator Bill Woggon and his collaborator/illustrator Barb Rausch, covering the Katy Keene revival at Archie Comics, the creation of their independently owned character VICKI VALENTINE (debuted in NEIL THE HORSE #11 and now published by Renegade Press), and their creative process. Woggon writes the stories and Rausch handles art, with planned story arcs involving world travel and celebrity cameos. Rausch separately discusses her storyboard work on the JEM animated series at Marvel Productions.

Part one of a two-part interview; Woggon recounts his career from ghosting the Chief Wahoo strip with his brother Elmer to creating Katy Keene for Archie Comics in 1945, which at peak circulation approached one million copies and generated bags of fan mail from readers submitting fashion designs. He discusses how Katy Keene inspired a generation of professional fashion designers — including Antonio Lopez, Betsey Johnson, and Willie Smith — and how the strip was cancelled in the 1960s as TV eroded readership, after which he retired from Archie. Rausch, one of Woggon's most successful "graduates," describes her own journey from teenage Katy Keene fan to professional artist and co-creator of the current comic Vicki Valentine.

Part two of a continuing interview with the Canadian creator of Neil the Horse, Saba discusses his philosophy of working in the face of financial insecurity, the challenge of attracting women and broader demographics to comics, and his thinking behind the character of Mam'selle Poupee — a deliberately attractive but also independent and active female character. He expresses deep admiration for the Hernandez Brothers' Love and Rockets and speaks at length about the failures of animated features due to poor storytelling, drawing comparisons to Walt Disney's genius for story and people management, which he consciously models in his own collaborative approach with artists like Barb Rausch. Saba reveals plans to expand Neil the Horse into children's books, a 3-D issue, color, and eventually animation, and reflects that he sees himself primarily as a writer and conceptualist.