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Discusses his six years as head of Marvel's coloring department, overseeing referencing and quality control for the entire color line under George Roussos' cover coloring. Explains the technical constraints of comic-book coloring — a palette of only 64 colors, the constant battle against muddy printing, and the frequent misuse of color overlays by artists who don't understand the mechanical process. Also details his previous nine-year career at Aurora model kits, where he rose from redrawing track plans to project manager overseeing entire kit development, and his collaboration with Dave Cockrum on dinosaur and movie-monster kit designs.